Early opera was originally designed to reflect the manner in which seventeenth-century aristocrats sung their conversations to each other on a daily basis.


Question: Early opera was originally designed to reflect the manner in which seventeenth-century aristocrats sung their conversations to each other on a daily basis.

Did you know that early opera was not just a form of entertainment, but also a way of imitating the high society of the seventeenth century? Opera originated in Italy around the late 1500s, as a group of intellectuals and musicians sought to revive the ancient Greek drama. They believed that the Greeks used music and singing to enhance the emotional impact of their plays. They also wanted to create a new genre that would appeal to the nobility and the educated classes.


One of the main features of early opera was the use of recitative, a style of singing that resembles speech. Recitative was intended to convey the dialogue and the plot of the opera, while expressing the feelings and thoughts of the characters. Recitative was often accompanied by a simple instrumental bass line, called basso continuo, that provided harmonic support. The contrast between recitative and more melodic and rhythmic sections, such as arias and choruses, created variety and interest in the opera.


However, recitative was not only a musical device, but also a reflection of the social norms and expectations of the time. In the seventeenth century, aristocrats were expected to speak in a refined and elegant manner, using elaborate rhetoric and gestures. They also cultivated their musical skills and taste, as music was considered a sign of culture and education. Some historians have suggested that early opera was an attempt to recreate the way that aristocrats sung their conversations to each other on a daily basis. By singing in recitative, opera singers mimicked the style and tone of the elite, while also displaying their own vocal abilities and emotions.


Early opera was therefore not only a form of art, but also a form of social commentary and criticism. Opera composers and librettists often used historical or mythological themes to address contemporary issues and conflicts, such as politics, religion, love, and morality. Opera also challenged the established norms and conventions of theater, such as the distinction between comedy and tragedy, or the role of women and lower classes. Opera was a dynamic and innovative genre that reflected and influenced the culture and society of its time.

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